Congo (1995)
When I was around 9 years old, my Oedipus complex kicked in and, in a belated identification with my neurotic […]
When I was around 9 years old, my Oedipus complex kicked in and, in a belated identification with my neurotic […]
Well, this is awkward. I’m two albums into the Rolling Stones’ so-called “classic run” and I’m already distinctly underwhelmed by
Fuck me, all those sixties guitar wankers going on and on and on about how the Rolling Stones, the Beatles,
I am only tangentially familiar with miserable, rain-drenched Scottish post-punk band the Jesus and Mary Chain because (a) they were
Annie Lennox long struck me as a strange proposition – a tall, pale, willowy, otherworldly, short-haired fierce-as-fuck Scottish ice queen,
I have always and will always object to the lumping together of R.E.M. and the Smiths. Yes, both bands purveyed
The number of world-bestriding rock bands generated by declining post-industrial British cities in the latter third of the 20th century
Rock music is a strange, unsettling cultural artefact in 2025. The majority of new rock albums are by bands whose
The 90s were a cartoon decade, temporarily unmoored from the dramatic solemnity of human history. The Cold War had been
Rock was still staggering along in 2014, but anybody could’ve taken its pitiful mortally wounded carcass out back and put